THE PLEASURES OF PLURALISM, THE PAIN OF OFFENCE

I gave two talks this weekend. One was on ‘Turning diversity on its head’ at the sixth anniversary celebration of the Council of Ex-Muslims of Britain (CEMB),  the other on’Offence and censorship’ at an Artangel ‘Party for Freedom’.  The two talks overlapped, so here I have stitched them together into a single post. The cartoons are from the wonderful Jesus and Mo.

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Almost twenty years ago, in 1994, the Independent newspaper asked me to write an essay on Tom Paine, the eighteenth-century English revolutionary. It was the 200^th anniversary of his masterpiece, The Age of Reason, a book of which Paine said that it was a ‘march through Christianity with an axe’. ‘All national institutions of churches’, wrote Paine, ‘whether Jewish, Christian or Turkish, appear to be no more than human inventions, set up to terrify and enslave mankind, and monopolise power and profit.’

Few authors have so punctured the pretensions of organised religion or so savaged the claims of divine revelation as Paine. Fewer still have faced such ridicule and vilification for doing so. In England The Age of Reason was suppressed for decades and successive publishers imprisoned for blasphemy. Anyone who distributed, read or discussed the book faced prosecution. Some were arrested for simply displaying the portrait of the author. In America, where hitherto Paine had been feted as a hero for his unwavering support for independence, newspapers denounced him as a ‘lily-livered sinical [sic] rogue’ and ‘a demihuman archbeast’. The Age of Reason, as I observed in my Independent essay, became ‘The Satanic Verses of its day’. And, given that comparison, I thought it reasonable to open the essay with a quote from Salman Rushdie’s novel, satirising the divine origins of the Qur’an.

The Independent thought otherwise. There was consternation in the editorial offices when I filed my piece. Eventually one of the editors phoned me to say that I could not use the quote from The Satanic Verses because it was deemed too offensive.

MULTICULTURALISM AND ITS DISCONTENTS

My big book – on the history of moral thought – will be published by Atlantic next spring. Before that comes a little book.  Multiculturalism and its Discontents is an extended essay that pulls together much of my thinking and writing over the years on the subject. It will be published by Seagull this summer (Amazon says June, though it is more likely to be August). And here is the introduction.

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On 22 July 2011 Anders Behring Breivik planted a car bomb outside government buildings in the Regjeringskvartalet area of Oslo. The explosion killed eight people and injured more than 200. Two hours later Breivik, dressed in an all-black paramilitary uniform, launched an attack on a summer camp organized by the youth division of the Norwegian Labour Party on the nearby island of Utoya. For an hour and a half, he walked around the campsite, firing indiscriminately with machine guns, unzipping tents and gunning down people cowering inside. Sixty-nine people were killed in the homicidal rampage.

DIVERSITY, THE MARKET AND ARTISTIC FREE EXPRESSION

I took part last week in a conference on artistic free expression called ‘Taking the Offensive’ organized by Index on Censorship. It was the culmination of a long project through which Index on Censorship has sought both to raise awareness of threats to artistic free expression and to clarify responses.

Back in July 2011 Index on Censorship published, as part of this project, a report, Beyond Belief – Theatre, Freedom of Expression and Public Order. Taking as its starting point the controversies surrounding Gurpreet Kaur Bhatti’s 2004 play Behzti - which was forced off stage by violent demonstrations by members of the Sikh community outraged by scenes in the play depicting rape and violence in a gurdwara – and her 2010 follow-up work Behud, the report explored the issue of the policing of controversial art. I wrote ‘Arts for Whose Sake?’, the keynote essay for the report, which suggested that to understand the Behzti affair we needed also to understand the way that ‘We need to understand… how two recent trends have combined to transform the very character of censorship’:

The first is a shift in the social meaning of theatre – and of the arts more generally – and in the perception of the role of the audience. The second is a change in our understanding of diversity and of how it should be managed. The consequence has been the remaking of censorship which, as Svetlana Mintcheva and Robert Atkins observe in the Introduction to their book Censoring Culture, has become ‘invisible’, operating increasingly as a moral imperative, or as the inevitable result of the impartial logic of the market, rather than as a legal imposition.

It is an argument that seems to me as relevant now as it was then, especially given Gurpreet Kaur Bhatti’s revelation at last week’s confernece that the BBC had cut her radio play about honour killings, Heart of Darkness, broadcast on Friday, so as not to be ‘insensitive’ to Muslims. So I am reposting here an edited version of that essay.

MULTICULTURALISM: THE INTERVIEW

I recently gave an interview for the Open University course on ‘Why is religion controversial?’. The interview is actually not about religion but about multiculturalism. It is somewhat oddly edited in places (a number of times, for instance, part of the answer to one question interpolated into the answer to another in a way that seems confusing), but still, I hope, it makes sense. Here anyway is the interview.

Check out also my Milton K Wong lecture that I gave in Vancouver last year and that probably best expresses my critique of multiculturalism. There is an audio of the CBC broadcast, and a transcript in two parts, here and here. Other discussions of multiculturalism include ‘Conflicting credos but the same vision of the world‘, From streetfighters to book burners, How to make a riot, Making a difference: Culture, race and social policy, Multiculturalism at its limits?, A Merkel attack on multiculturalism, How to become a real Muslim, Shadow boxing, Shadow of the fatwa and Offending the audience.

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The image is of the painting ‘Multicultural’ by the American artist Robert Daniels whose work can be found on Fine Art America.

MULTICULTURALISM – THE BROADCAST

My Milton K Wong lecture, ‘What’s wrong with multiculturalism?’, that I gave in Vancouver earlier this month, was broadcast on CBC on Friday. I have already posted the transcript of the talk, in two parts, here and here. (The broadcast has been slightly edited to fit the CBC schedule; the transcript is in full.) There is a Milton K Wong website dedicated to discussion and debate around the themes of the talk.

WHAT IS WRONG WITH MULTICULTURALISM? [PART 2]

This is the second part of the transcript of my Milton K Wong lecture that I delivered in Vancouver last week. I posted the first part earlier this week. The talk will be broadcast in full on 22 June on the CBC’s Ideas strand.

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The story I have told so far is of a Europe that is not as plural as many imagine it to be, and of immigrants less assertive of their cultural identities than they are claimed to be. Multicultural policies emerged not because migrants demanded them, but primarily because the political elite needed them to manage immigration and to assuage anger created by racism.

Why, then, have we come to imagine that we are living in particularly plural societies,  in which our cultural identities are all-important? The answer lies in a complex set of social, political and economic changes over the past half century, changes that include the narrowing of the political sphere, the collapse of the left, the demise of class politics, the erosion of more universalist visions of social change. Many of these changes helped pave the way for multicultural policies.  At the same time, the implementation of such policies helped create a more fragmented society. Or, to put it another way, multicultural policies have helped create the very problems they were meant to have resolved. I want to demonstrate this through two examples. The first is a riot in Britain, of which you may not have heard, the second a cartoon crisis in Denmark, about which everyone has heard.

WHAT IS WRONG WITH MULTICULTURALISM? [PART 1]

I gave the Milton K Wong lecture in Vancouver on Sunday.  I very much enjoyed the event- it was a stunning venue, a superb audience and a good discussion of the issues. My thanks to the Laurier Institution, University of British Columbia and CBC for inviting me. Entitled ‘What is Wrong with Multiculturalism? A European Perpective’, the lecture pulled together many of the themes about immigration, identity, diversity and multiculturalism of which I have been talking and writing recently. It was a long talk, so I am splitting the transcript into two. Here is the first part; I will publish the second part later this week. It will be broadcast in full on 22 June on the CBC’s Ideas strand.

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It is somewhat alarming to be asked to present the European perspective on multiculturalism. There is no such beast. Especially when compared to the Canadian discussion, opinion in Europe is highly polarised. And mine certainly is not the European perspective. My view is that both multiculturalists and their critics are wrong. And only by understanding why both sides are wrong will we be able to work our way through the mire in which we find ourselves.

Thirty years ago multiculturalism was widely seen as the answer to many of Europe’s social problems. Today it is seen, by growing numbers of people, not as the solution to, but as the cause of, Europe’s myriad social ills.  That perception has been fuel for the success of far-right parties and populist politicians across Europe from Geert Wilders in Holland to Marine Le Pen in France, from the True Finns to the UK Independence Party.  It even provided fuel for the obscene, homicidal rampage last year of Anders Behring Breivik in Oslo and Utøya, which in his eyes were the first shots in a war defending Europe against multiculturalism. The reasons for this transformation in the perception of multiculturalism are complex, and at the heart of what I want to talk about. But before we can discuss what the problem is with multiculturalism, we first have unpack what we mean by multiculturalism.